News

Get 20% off your next picture purchase

Get 20% off your entire riding picture order of €100.00 or more with coupon code:

PICTURESSPECIAL20-END2019

Conditions:
Valid until 31. December 2019
20% off the entire order
100€ minimum purchase
Valid only for picture sets

https://riding.vision/collections/riding-boys-pictures

https://riding.vision/collections/riding-girls-pictures

https://riding.vision/collections/riding-zentai-pictures


How to learn about our latest updates

For time reasons, we stopped already some time ago to announce each and every time we add a new video or picture set. There are just too many of them! Instead, here is what you can do:

To find the latest updates, you should come back regularly to our site and check directly in our collections. Once you are in your preferred collection, you can use the "NEW TO OLD" filter and bookmark it.


Largest video update ever

Discover almost 3 hours of new high quality, ultra-HD riding videos produced by Riding.Vision.

A dozen new female and male riders ride bareback on small Arab ponies at a secluded beach.

You can use our SEARCH function (icon at the top right) to quickly find more videos and galleries of the same rider.


Newspaper Article about Riding.Vision in "Der Tagesspiegel"

Der Tagesspiegel, Gregor Dotzauer, “Blicke mit Durchblick”, 9. Dezember 2018, Berlin, p. 32
tagesspiegel.de

Picture above: Part of the newspaper article, with two examples of our inserts (the newspaper article is referring to) in Diaphanes Magazine (issue 5) in the background. "Saya setuju !" in the speech bubble is Indonesian for "I agree !". It is meant as a sarcastic comment about the newspapers attempt to dismiss Riding.Vision's experimental and multilayered imagery as "gay kitsch".


Scattered insert by Riding.Vision in Diaphanes Magazine

DIAPHANES
Art – Fiction – Discourse
No.5 – Taming the Gaze (Autumn 2018)

https://riding.vision/pages/media

Riding.Vision in Diaphanes #5
164 awesome pages. This is just a very small excerpt. Buy it here (worldwide shipping).


From the preface:

Art has always been the site of struggle: its forms obscure, its freedoms pure fiction. And the ­territory is currently being ­resurveyed. While identities blur, the terrain is being ­fractured. Old and new forces are intervening, speculating for various interests, claiming their share in the visible and invisible—the accursed share. What some ignore, others must delete. What mustn’t be shown...